These conferences are updated as regularly as possible. Please send a message through the Contact Page if you would like a conference to be added.
Church of the Order of St John, Clerkenwell, on 28 April 2017.
This is part of a series of three conferences on the theme of Why Sing?, exploring the evolution, and the physical, psychological and social benefits of singing from the Stone Age to the present day. The second conference, The Power of Singing: Religion, Revolution and Tribalism, will take place in the autumn, and our final two-day event, Singing Together: Wellbeing and Learning, will be in spring 2018.
Programme and booking details can be found on our website: http://themusicalbrain.org/
Neural Entrainment and Rhythm Dynamics workshop
Please see below for an announcement about a workshop that will take place just prior to NeuroMusic in Boston! Hope to see many of you there!
“Neural Entrainment and Rhythm Dynamics” will be held June 14, 2017 in Boston, MA, just prior to NeuroMusic VI. The goal of the meeting is to bring together researchers that use varying approaches to advance scientific knowledge about topics related to rhythm and entrainment. This one-day meeting will feature presentations on, for example, rhythm and beat perception/production in music and speech, electrophysiological studies of entrainment, disorders of rhythm and entrainment, and lifespan development and cross-species comparisons of entrainment.
An official call for titles and abstracts will be circulated soon; abstract submission deadline will be May 3, 2017.
We look forward to an excellent program and hope you can join us
15 – 18th June 2017, Boston, MA (USA)
The “Neuromusic” Community is invited to submit proposals for the Symposia. These should be organized around a specific topic related to the conference theme of “Music, Sound and Health” with special emphasis on development.
The conference is in partnership with the Harvard Medical School and the Beth Israel Deaconess Medical Center. In addition to the Symposia, the program will include Keynote Lectures, Poster Sessions, and a Pre-conference Workshop. www.fondazione-mariani.org
The Midwest Music and Audio Day is a one-day get together of music information and music audio processing researchers, held at Northwestern University just outside of Chicago in Evanston, IL. This will be a chance for research groups from the Midwest to meet and present research in a more relaxed and more affordable setting than is typical at IEEE and ACM-style conferences. Registration is free. Opportunities to present work as posters/talks/demos are available to registered participants. Parking and lunch will be provided free of charge for all presenters and attendees up a maximum of 50 registered attendees. Limited travel assistance funding will be available for long distance presenters in financial need.
When and Where?
Date: Friday, June 23, 2017
Venue: ITW room, Ford Motor Company Engineering Design Center, Northwestern University, Evanston, IL, USA
Click here for directions
Call For Participation
We invite submissions (talks/posters/demo) across a variety of categories for research related to music and audio. If you want to present your work, please submit an abstract describing your work in the registration page. The abstract should be less than 250 words.
Research area of particular interest include (but are not limited to):
Music information retrieval, Music recommendation, Instrumentation identification, AI for music generation , Interface design for music or audio applications, Music segmentation
Digital musical instrument design, Speech modeling and synthesis, Auditory modeling, Environmental sound recognition, Audio fingerprinting, Lyrics transcription, Voice morphing, Audio source separation, 3D audio, Auditory display and sonification, Sound visualization, Speech recognition, Speech generation
If you are planning on coming to MMAD please register.
Abstract submission deadline (i.e. registration deadline if you want to present work) – May 1, 2017
Hosted by the Northwestern University Interactive Audio Lab
Reach us at interactiveaudiolab [at] gmail [dot] com
August 8-18, 2017.
The human brain and its ability to adapt to the demands of the environment is the core of our course. The course program will cover brain functions in the framework of neuroplasticity. The course consists of tutorials on brain research methods and lectures about current topics. The students also have an opportunity to introduce their projects and research outcomes in a poster session and to discuss their viewpoints in group works based on the pre-course readings.
We primarily select to this course PhD students who have basic knowledge on neuroscience or related fields. This course is useful for students who wish to gain knowledge about the most recent developments in auditory cognitive neuroscience, particularly when it comes to learning and developing brain.
On behalf of the organizers,
Mari Tervaniemi, Teija Kujala, and Minna Huotilainen – Cicero Learning and Cognitive Brain Research Unit, University of Helsinki
GHENT, 31 JULY – 4 AUGUST 2017
THEME: EXPRESSIVE INTERACTION WITH MUSIC
ESCOM, the European Society for Cognitive Sciences Of Music, celebrates its 25 years of activities with a special conference that is hosted from 31 July – 4 August 2017 by Prof. Dr. Marc Leman and his team from IPEM at the University of Ghent in Belgium.
Currently the focus of music cognition shifts towards a variety of sensory, motor, sensorimotor, affective-motivational, cognitive and social functions involved in the many ways people interact with music. ESCOM 2017 aims at being a thought-provoking conference that explores the theme of “Expressive Interaction with Music”. During this special event music-based interaction is addressed from a wide range of perspectives, in relation to expression, gestures and social and cultural contexts.
Within 4 days ESCOM 2017 will bring together experts from different domains related to the field, and scholars discussing expressive interaction with music from the perspective of perception (day 1), performance (day 2), and aesthetics (day 3). On day 4, through parallel workshops, the opportunity is offered for an open and intense exchange of experience. A round table discussion is organized where the future of music research is discussed. The conference features plenary sessions with keynote speakers and special selected speakers, and a number of parallel sessions with speakers selected on the basis of a call for papers. The conference also offers poster sessions.
Including high-level keynote speakers the conference is a unique opportunity to learn, expand your network and plan joint actions in a truly interactive event.
Join us in Ghent for ESCOM 2017’s key music conference. Join us in considering how to address the problems that research on expressive interaction with music faces now, and the challenges that lie ahead. Whatever your field of research is, we encourage you to participate, to show the true diversity of our subject area, and to help us build a conference formed and shaped by the people that come.
Music & Eye-Tracking – What eye movements, pupil dilation, and blinking activity tell us about musical processing
Max-Planck-Institute for Empirical Aesthetics, Frankfurt, Germany, August 17-18, 2017
We are very pleased to announce the call for abstract submissions to the conference on “Music and Eye-tracking“ (MET), which will be held 17th-18th of August 2017 at the Max-Planck-Institute for Empirical Aesthetics in Frankfurt, Germany.
Our goal is to bring together the leading experts from psychology, all fields of music research, sociology, cultural sciences, and neuroscience, united in the interest to investigate musical processing using eye-tracking methodology or combining eye-tracking with other methods.
For full details please visit our website at http://ae.mpg.de/met17
Kyoto August 25-27, 2017
We are pleased to announce that abstract submissions are now open for the 6th Conference of the Asian-Pacific Society for the Cognitive Sciences of Music (APSCOM 6), to be held in Kyoto August 25-27, 2017.
For questions and comments, contact the organizing committee:
August 30 | 02 September 2017
Reykjavík | Iceland
The next International Symposium on Performance Science will be hosted by the Iceland Academy of the Arts and convened at Harpa, Reykjavík’s world-renowned concert hall, on August 30 – 02 September 2017. The ISPS 2017 theme, Performance, Processes, and Products, is intended to encourage discussion and debate on how performances are conceived, developed, delivered, and received. Specific research topics, fields of study, and methodological approaches have been left open intentionally to encourage interdisciplinary exchange.
- Hilmar Bragi Janusson, Dean of the School of Engineering and Natural Science, University of Iceland (Iceland)
- Reinhard Kopiez, Professor of Music Psychology, Hanover University of Music, Drama, and Media (Germany)
- Alison McGregor, Professor of Musculoskeletal Biodynamics, Imperial College London (UK)
- Steven Schlozman, Associate Director of The Clay Center for Young Healthy Minds, Harvard University (USA)
15 March 2017: Notification of submission decision
01 April 2017: Article submissions open for ISPS 2017 Research Topic in Frontiers
15 April 2017: End of early registration
30 August 2017: Start of ISPS 2017
31 December 2017: Article submission deadline for ISPS 2017 Research Topic in Frontiers
Building on the publication of articles from ISPS 2013 and ISPS 2015 in Frontiers in Psychology, the journal is will host a Research Topic in the specialty section Performance Science for ISPS 2017 presenters. To qualify, the first (or corresponding) author must be a registered presenter at ISPS 2017, and the manuscript should be submitted to the journal for independent peer-review between 01 April and 31 December 2017.
The philosophy of Frontiers is that research is the product of an investment by society, and therefore, its fruits should be returned to all people without borders or discrimination, serving society universally and in a transparent fashion. This is why Frontiers provides online free and open access to all of its research publications. The new Frontiers specialty section Performance Science welcomes submissions of the highest quality of the following types: Book Review, Editorial, General Commentary, Hypothesis & Theory, Methods, Mini Review, Opinion, Original Research, Perspective, Review, Specialty Grand Challenge and Technology Report. Like most other serious open-access publishers, Frontiers maintains a high quality of service through an ‘author-pay’ model. As such, manuscripts that are accepted for publication following peer review may incur a publishing fee (reduced for Research Topic submissions), depending on the article type. For more information on the Frontiers open access policy and publishing fees, see www.frontiersin.org/Performance_Science/fees.
SysMus enters its 10th year!
Come celebrate with us in London! SysMus17 is coming September 13th-15th 2017 and will be hosted by the Music Cognition Lab at Queen Mary, University of London.
SysMus is dedicated to including a broad range of topics within its conferences, representative of the great diversity within systematic musicological study: Systematic musicology, Music perception, Music cognition, Music psychology, Music therapy, Music modeling , Music information retrieval, Music sociology , Music education , Music technology, Music and culture, Musical acoustics, Music philosophy, Music theory and analysis
A quick summary of what you need to know:
What: International Conference of Students of Systematic Musicology
When: September 13th-15th, 2017
Where: Queen Mary, University of London
For more information, check out our website: https://sysmus17.
The 15th International Conference on Music Perception and Cognition (ICMPC), combined with the 10th Triennial Conference of ESCOM, will be held at the University of Graz, Austria from 23 to 28 July 2018. Enquiries: Richard Parncutt
The International Conference on Music Perception and Cognition (ICMPC) takes place every two years, and the 15th event in the series is planned for 23-28 July 2018. Continuing a traditional 6-year cycle, the conference will be combined with the 10th triennial conference of the European Society for the Cognitive Sciences of Music (ESCOM). For the first time, ICMPC15-ESCOM10 will be distributed across hubs on different continents, communicating via an internet cloud. We will strike a new balance between face-to-face and virtual communication and between activities on different continents to create a truly global conference.
Every talk will be both live and virtual, that is, presented to a live local audience and viewed elsewhere, either in real time or with a time delay. Throughout most of the conference, live and virtual presentations will run in parallel at every hub. The daily program will be divided into a morning and an evening session to maximize real-time international communication. Symposium organizers will present their own research and then lead a discussion of 2-3 thematically related videos from other hubs. For the first time, all presentations will be documented as videos, and all discussions will be documented as comment feeds. During global discussions, session chairs will select questions from a real-time comment feed and pose them to presenters; remote questioners will witness the speaker’s answer on the live stream.
Participants will be free to attend any hub, regardless of their location. If most choose the closest hub, both travel costs and greenhouse gas emissions will be reduced. For the first time, a small number of video timeslots will be reserved for colleagues who are unable to travel due to disability.
Three hubs are confirmed: Centre for Systematic Musicology, University of Graz, Austria; Department of Music, Concordia University, Montréal, Québec; and School of the Arts and Media, University of New South Wales, Sydney, Australia. The central hub in Graz will carry out the review procedure, coordinate registration, write the program in collaboration with other hub organizers, and provide round-the-clock technical support during the conference. Registration fees will be paid directly to hubs.
According to current plans, all talks will be live-streamed and recorded in YouTube. Both live streams and videos will be unlisted – available to registered participants only, in a password-protected teaching platform (Moodle). The technological options are constantly developing, so we always welcome alternative suggestions. The technology will be tested in April 2017 in a small international pilot event.
A call for papers will be released in May 2017
We look forward to welcoming colleagues from any country working in music perception and cognition, music psychology, and related fields. Feedback and suggestions on the new conference format are always welcome.
Richard Parncutt (chair), Annemarie Seither-Preisler, and Daniel Reisinger, University of Graz, Austria
Eldad Tsabary and Christine Beckett, Concordia University, Montreal, Canada
Emery Schubert, University of New South Wales, Sydney, Australia
Renee Timmers, University of Sheffield, UK
Friday 15 September 2017: Media City UK, University of Salford
The production of music often involves interdisciplinary challenges, requiring creativity, extensive knowledge of audio processing and exceptional listening skills. Many of these complex production processes have rules that could be made more intuitive, or managed by intelligent processes. Intelligent Music Production focuses on developing systems that map these requirements into automated or adaptive processes within the production chain to achieve results which are both efficient and aesthetically pleasing.
This event will provide an overview of the tools and techniques currently being developed in the field, whilst providing insight for audio engineers, producers and musicians looking to gain access to new technologies. The day will consist of presentations from leading academics, keynotes, posters and demonstrations.
- Intelligent music production systems for tasks such as level-balancing, equalisation, dynamic range processing, audio editing, etc.
- Intelligent music production systems capable of: generating/performing music; supporting the musical creativity of human users; incorporating affective responses.
- Philosophical foundations of IMP systems
- Accessibility in IMP systems
- Surveys of state-of-the-art techniques in the area
- Studies on the applicability of IMP techniques to other research areas
Submissions in the following general areas will also be considered:
- Perception, psychoacoustics and evaluation
- Source separation
- Semantic audio processing
- Musical similarity and structure analysis
We welcome submissions on intelligent music production from researchers worldwide at all stages of their careers.Paper submissions are accepted in PDF format and should be between 2 and 4 pages including references. Templates for submission can be found on the event website. Papers should be sent to firstname.lastname@example.org. On submission, authors should express in their email a preference for either poster or oral presentation. Posters will be presented during the coffee and lunch breaks.
The one-day conference will take place at the Digital Performance Lab at the University of Salford Media City campus (15 September 2017), and will be preceded by a welcome event with demos at the University of Salford main campus (14 September 2017).
- 10 April 2017 1st call for papers
- 10 May 2017 2nd call for papers
- 15 June 2017 Deadline for full-paper submission
- 15 July 2017 Notification of acceptance
- 15 August 2017 Camera-ready paper submission
- 14 September 2017 Welcome event and demos
- 15 September 2017 Conference
For more information about the event, please get in touch with the Intelligent Music Production committee:
Bruno Fazenda (chair), email@example.com
Alex Wilson (co-chair), firstname.lastname@example.org
Ryan Stables, email@example.com
Josh Reiss, firstname.lastname@example.org
Brecht De Man, email@example.com
The 13th International Symposium on Computer Music Multidisciplinary Research (CMMR 2017) will be held in Porto and Matosinhos, Portugal, on September 25th–28th, 2017: http://cmmr2017.inesctec.pt
CMMR 2017 is organised by the Sound and Music Computing Group at INESC TEC, the Orquestra Jazz de Matosinhos (OJM) and AMU-CNRS-PRISM. The theme of CMMR 2017 is Music Technology with Swing.CMMR will take place at CARA – (Centro de Alto Rendimento Artístico) in Mastosinhos. It is CARA’s mission to promote the dialogue between art, science and technology, namely through multidisciplinary projects that aim at the research and development of solutions for the creation, fruition and dissemination of creative content. By hosting CMMR at CARA we seek to mirror these aims by bringing together a diverse and vibrant community of researchers and musicians that encapsulate the different perspectives of computer music multidisciplinary research.
The conference includes a scientific programme with oral presentations, posters and demos. It also features a music programme with daily concerts, including one by the Orquestra Jazz de Matosinhos.
The confirmed keynote speakers for CMMR 2017 are:
Peter Vuust (Aarhus University, Denmark), Margaret Schedel (Stony Brook University, USA), Carlos Guedes (New York University Abu Dhabi, United Arab Emirates) and Amílcar Cardoso (University of Coimbra, Portugal).
If you have any questions about CMMR 2017, please contact the Symposium Chairs at:firstname.lastname@example.org
We greatly look forward to welcoming you to Porto and Matosinhos in September!
If you hear of any conferences that may be interesting for music psychologists then please forward details to me: v.williamson- at- sheffield.ac.uk