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3rd Conference of the Australian Music & Psychology Society & 5th International Conference on Music and Emotion (ICME)
The University of Queensland, Brisbane, Australia, 7-9 December 2017
We are pleased to announce that the next Australian Music and Psychology Society (AMPS) 2017 Conference, incorporating the 5th International Conference on Music and Emotion (ICME5), will be held in Brisbane at The University of Queensland, Australia, 7-9 December 2017.
The conference is intended to engage faculty and student (Honours, Masters, PhD) involvement, and encourage discussion and exchange of ideas around the theme, Musical Affects.The conference theme is intentionally broad to encourage diverse perspectives on music, psychology and emotion, including:
• music perception and cognition, music performance, music education, music health and wellbeing, music therapy, musicology, music composition, music and dance, ethnomusicology, psychoacoustics and models of music processes.
We invite abstracts of up to 250 words for spoken papers (15 mins + 5 mins Q&A), posters, symposia, and workshops.
The internationally recognised Viney-Grinberg Piano Duo, one of the Ensembles-in-Residence at The University of Queensland, will perform for conference delegates and guests on 7 December 2017 at 6pm in the Nickson Room at the School of Music.
Confirmed keynote speakers include:
• Professor Michael Spitzer (University of Liverpool; ICME founder), and
• Adjunct Associate Professor Nikki Rickard (Monash University; Psychology Program Director, Online Education Services)
Special panel discussions will be led by:
• Professor Emery Schubert (The University of New South Wales), and
• Professor Margaret Barrett (The University of Queensland)
Abstracts submission deadline: 29 August 2017
Notification sent to authors: 3 October 2017
Final abstracts due: 10 October 2017
Early bird registration closes: 10 October 2017
Performance by the Viney-Grinberg Piano Duo: 6 pm, 7 December 2017
All submissions will be made through “EasyChair”. Go to https://easychair.org/conferences/?conf=musicaffects17
Once logged in, Click on “New Submission”
For oral and poster presentations, submit an abstract of up to 250 words together with title of the presentation, preferred format, 5 keywords (to assist with allocation to appropriate reviewers), and author names. Please structure your abstract as appropriate to your discipline. For example, background and aims, methods, results, discussion.
Proposals for a symposium on a specific theme should include a 250-word abstract that sets out the goals of the symposium and the titles and authors of the papers within the symposium. A 250-word abstract for each paper within the symposium will also need to be submitted. A standard symposium submission includes 4 papers.
Proposals for a workshop that would be of broad interest should consist of a 250 word abstract outlining the goal, format, length, target audience and presenters involved with the proposed workshop.
Contact Details: email@example.com
We look forward to seeing you at the conference in December!
The 15th International Conference on Music Perception and Cognition (ICMPC), combined with the 10th Triennial Conference of ESCOM, will be held at the University of Graz, Austria from 23 to 28 July 2018. Enquiries: Richard Parncutt
Abstract submission deadline – 20 November 2017
Early registration deadline – 30 April 2018
Since 1994, the ESCOM triennial conference has been combined every six years with the biennial ICMPC. In 2018, the two conferences will be combined for the fifth time. ICMPC and ESCOM have similar aims. Both support and promote the dissemination of empirical and theoretical research from a wide range of musically relevant, scientific, empirical based disciplines, including psychology, cognitive sciences, neurophysiology, linguistics, computer science, artificial intelligence, acoustics, psychophysics, sociology, and systematic musicology. We also welcome interdisciplinary presentations that involve humanities and/or practically oriented disciplines. Relevant humanities disciplines include music theory and analysis, musicology, ethnomusicology, anthropology, history, aesthetics, and philosophy; relevant practically oriented disciplines include music performance, composition, education, medicine, and therapy.
All presentations should feature new, unpublished research. All should have the potential to improve understanding of how music is created, perceived, experienced, shared, used, or represented.
Conference chair: Richard Parncutt
Conference co-organizer: Sabrina Sattmann
Graz: Richard Parncutt La Plata: Isabel Martinez Montreal: Eldad Tsabary and Christine Beckett Sydney: Emery Schubert
Local organizing committees Graz: Annemarie Seither-Preisler, Andrea Schiavio, Daniel Reisinger, Nils Meyer-Kahlen Montreal: Mark Corwin, Angelique Wilkie, Josh Rager Sydney: Dorothy Fabian, Riza Veloso, Anthony Chmiel, Marco Susino La Plata: Luiz Naveda, Favio Shifres, Joaquín Blas Pérez, Alejandro Pereira Ghiena
If you hear of any conferences that may be interesting for music psychologists then please forward details to me: v.williamson- at- sheffield.ac.uk